A Bridge between ‘Po’ Boy Blues’ and ‘Homesick Blues’: Music
One of the most important
poets of his time Langston Hughes interested not only in poetry but also in
music. He grown up in a city where jazz music was very popular and his friends
and siblings were people who were living with jazz music. When he saw that he
was not talented for both, he chose the one he is talented in: poetry. But what
is special with him? What did he do about the things he loved so much? What is
relation of Jazz to Langston Hughes? The things he did may be counted as a
quality which sets a bridge between his poems?
Being realized that he
couldn’t be apart from music or poetry or being interested in only one of
these, he did something special: merging two art forms into one, he crated jazz
poetry which includes jazz in his poetry. This style can take jazz as both
subject and form. This poetry includes syncopated rhythms and
repetitive phrases of blues and jazz music. So why did he do this in his
poetry? During Harlem Renaissance most of the black poets were proud of writing
on their own heritage and reflecting their own ideas, life styles. As being one
of the most important art styles for black people, jazz became very popular not
only with its musical dignity but also with its poetic dignity. So Hughes had
been affected from his own memories, hobbies and likes, and then mixed these
two together.
In these two poems we may see that actually while he was using jazz
forms in his poetry, he set a bridge between his poems. To start with first
stanzas he basically used 12-bars blues structure:
“Homesick blues” “Po’ boy blues”
De railroad bridge's When I was home de
A sad song in de air. Sunshine seemed like gold.
De railroad bridge's When I was home de
A sad song in de air. Sunshine seemed like gold.
Ever time de trains pass Since I come up North de
I wants to go somewhere. Whole damn world’s turned cold.
When you try to read these lines aloud then you can recognize that their 12-bars structure. Besides as it is clear their form is also the same as in the sense of meter and rhyme. In both poems there are repetitions as blues has its rhythm repeated again and again. This repetitions and structures go through ends of the both poems.
I went down to de station. I was a good boy
Ma heart was in ma mouth. Never done no wrong.
Went down to de station. Yes, I was a good boy,
Heart was in ma mouth. Never done no wrong,
Lookin' for a box car But this world is weary
To roll me to de South An’ de road is hard an’ long.
Homesick blues, Lawd, I fell in love with
'S a terrible thing to have. A gal I thought was kind.
Homesick blues is Fell in love with
A terrible thing to have. A gal I thought was kind.
To keep from cryin' She made me lose ma money
I opens ma mouth an' laughs. An’ almost lose ma mind.
As it is seen here these two poems are alike except their content. By having been poet during modernist era he did something new by writing with spoken language, combining those two art style but at the same time this was a new form structure to fit in and write according to those rules of the type as in these poems it follows with repetitions and line structures. So if we ask the question again if this structure sets a bridge between his poems, the answer is totally yes. Because he wrote in a basic structure just change the topic of poems and used the same structure. This attempt connects his poems in a sense. So if we look these poems in a formalist way we can consider these two poems are belong to the same road to drive on.
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